For centuries, biblical events have been made into paintings or sculptures. It was no different in the Renaissance, even though this stream of modern things turned more and more towards the hunter himself.
Repentance appeared to be the dream of all things, piety, but apostasy. In some cases, unmarried new marriages of divine feelings and human movements took place.
Such is the case of Michelangelo’s most famous Pietà, too, it’s hard to fascinate. It shows the Madonna, on her knees, helplessly taking the body of Christ from her hand.
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